The Internet is saturated and overloaded with readymade software for text, graphics, videos and “WYSIWYG” layouts. Much like how Duchamp’s “Fountain”, blurred the boundary between assembly-line products and hand-crafted art in 1917, the removal of technical obstacles to online creativity has produced the hybrid “net. readymades”. In this paper, the three dimensions of “Net.Objecthood”, “Net.SmallTech” and “Net.Esthesis” will be used to explore the unique creative ecology of a cloud era characterized by “Cyber-Communism”, technical collaboration, and free and open online resources. In the first part, it will points out how the Net.Objecthood of online interactivity, multiple links, repeated reading and writing of data, and fast message clustering has restructured our mode of consciousness and experience. Next, how free and common “readymade” objects like Android software, Microblogs, cross-platform hybrid websites, social networking media, MMORPG, and open source components have gradually converted sensory experiences from the “serial” to “parallel” and from “organization” to “configuration” to become an “all-encompassing” experience is explored. And finally, the growing everydayness of Net.Smalltech is used to understand how it has blurred the boundaries between man and machine in everyday life, by penetrating digital life to become an art composition on the level of shifting global borders.